In school I accustomed drive a matchbox-size Volkswagen Polo with, consistent with the manual, a most speed of 142 kilometers (about eighty eight miles) per hour. however on empty stretches of a speed-limit-free German motorway, i'd floor the gas till the needle climbed past one hundred sixty kilometers, and therefore the automotive barrel thus exhausting that the keys jingled within the ignition, and therefore the container vulnerable to start of the stereo.
Those immature experiments came to mind throughout Tues afternoon’s Merkin hall recital by Benjamin Beilman, a 21-year-old instrumentalist UN agency has already won AN containerful of prestigious prizes for his impeccable skill, squeaky-clean intonation and self-confident sound property.
No doubt the jurors additionally rewarded his muscular sound, that appears powerful enough to chop through a symphony. however during this recital of chamber works by Brahms, Schubert, Poulenc and Messiaen, during which he was amid the thoughtful young South Korean instrumentalist Yekwon Sunwoo, Mr. Beilman too typically forced the sound till the string’s oscillations began to rattle against the burden of the bow.
This was most jarring in Brahms’s classical music No. 2 in A, that opened the program. Of the composer’s 3 bowed stringed instrument sonatas, this can be the foremost intimate and pliable, with temporary outbursts of anger within the initial movement that subside as quickly as a lovers’ quarrel. Mr. Beilman compete them with such balled-fist intensity that they solid doubt on the Romantic credentials of the full movement. within the Andante, he made a deliciously drawn-out crescendo in an exceedingly passage wherever he accompanied adult male. Sunwoo’s finely articulated enjoying on the piano, and therefore the starting of the ultimate movement showed off the dark glow of his violin’s low register. however Brahms’s melodic simplicity was met with steely determination.
Poulenc’s classical music for bowed stringed instrument and Piano, with its virtuosic gap marked “con fuoco” — with fireplace — verified a way higher match. It’s a desirable oddment containing uncommon colours, delicate whimsy and flashes of Latin American concupiscence, and Mr. Beilman gave it a attractive rendition. Mr. Sunwoo skilfully used the treadle to play with layers of overtones. The part slow movement, with its Moorish arabesques, provided moments of targeted chamber enjoying.
In Messiaen’s Fantasy for bowed stringed instrument and Piano, Mr. Sunwoo created powerful, bell-like sounds within the gap, followed by a crisp, forward-pressing pulsing drive. however once the bells came back additional quietly, with the bowed stringed instrument soaring higher than, Mr. Beilman’s thusund grew so loud that it appeared meant for a special piece and a way larger hall.
Schubert’s flashy Fantasy for bowed stringed instrument and Piano in C became a willing vehicle for adult male. Beilman’s prodigious technique and, notably within the Allegretto, featured the 2 musicians interacting with attentive playfulness. Mr. Beilman’s spectacular chops were ne'er in question. however with the competition wins underneath his belt, it's time to ease off the pedal and luxuriate in the journey.